主角家全(黄日华饰)及行(郭耀明饰)分别为不同环境长大之大时代青年，全为人粗直，常惹是非，且有一对儿女，是时下早婚爸爸的写照，而力行则是个前途一片光明的建筑工程师，但命运之神的作弄，两人因犯错而入狱，经过在狱中的相互扶持，从此上天将他们的命运紧紧连结在一起。行和妻子婉仪(余诗曼)因处逆境而生嫌隙，走上分居之路，而全则与芷珊(陈法蓉)产生了微妙的友谊。　　在逆境中求生存的全，有志难伸的行，及善良婉柔的仪和乐观的珊，他们在逆境中求生存，感觉就像是你我故事的浓缩，故事尾声，行又恢复了工程师的本业，全也在报业上找到了目标，正当一切都值得庆祝之际，婉仪的哥哥和弟弟竟然为了赚钱不断使用卑劣手段，在工地偷工减料。　　行为了阻止悲剧的发生请求全协助入沙井找出底面层水泥的厚度是否合宜，却遭仪的哥哥，弟弟陷害，一切陷入危机中，幸得众兄弟之支持与鼓励，掉入了沙井的全和行得以...(阅读全文)脱身，最后行夫妻合好，全也拥有了珊和子女的心。　　节奏明快，友情和爱情环绕的好剧，不容你错过......　　任职地产公司的力与地盘工头全因分别冲动犯事，被判入狱。二人在狱中相遇，经了解化敌为友，更结识了乐于助人的社工珊。力刑满出狱，本欲重新开始，却遭人连番白眼，在岳母的冷嘲热讽下，一时意气与妻仪分居。另一方面，全出狱后，与力一同开设装修公司，昔日同仓囚犯纷纷投靠，公司业务渐有起色。力重新获得专业资格，有机会重新振作，但为个人声誉及前途，竟渐渐疏远一众释囚。全独力难支，装修公司陷入困境，幸得珊鼓励，二人患难见真情。力小叔因为私利偷工减料，引致地盘意外，全等人都被困塌土之中，生命悬系一线……

单亲妈妈Violeta，是一个下岗护士，她处境艰难，不得不去照顾一个卧病在床的老人。为了保住这唯一的收入，她什么都做得出来......影片描写了阿尔巴尼亚底层人民的挣扎，发人深省。整部电影谋篇布局很成功，演员的表演也出乎意料的好。

中医世家传人吴名下山为未婚妻续命，却意外碰到杨氏集团董事长病危悬赏一个亿寻医，吴名意外开启了一段充满挑战和机遇的惊险旅程，并引得多名美女青睐，面对种种诱惑，吴名又将如何选择？

年近50岁的闻瑞泽在京剧艺术衰落、被遗忘和忽视的时代，一直为自己热爱的京剧事业执著坚持。闻瑞泽的妻子——舞蹈演员的雪华的事业却如日中天。这导致了他们心理的极度不平衡，造成了两人之间的距离越来越远。闻瑞泽的压抑和恐慌不仅来源与婚姻的危机、女儿的叛逆、工作的停滞、上有老下有小的生存压力，还有难言的疾病等等。身份不为人知的女儿在卷入一段充满纠葛的感情抉择后，亲手揭开了真相。

该剧讲述原本在北城警局工作的探长马可，因为特殊原因被下调到清城县协助调查儿童人口失踪案的工作，没想到这个看似简单偏远的小县城发生着不同寻常的故事。马可刚到清城县就遇到了招摇撞骗的核心人物风水先生，接着便发生了一起离奇命案。警局代理局长严水清早就听说过马可是个破案高手，没想到马可的破案方式和逻辑思维与其格格不入，让人难以理解，这也是警局所有人另眼相看的原因。慢慢的严水清被马可的行动能力所折服开始认同这个人，没想到自己还喜欢上了马可。一宗命案背后牵扯着悬疑离奇的众多儿童失踪案，没想到著名神探也有看走眼的时候，在人性本能和亲情面前，马可居然失算了！

小城司机的儿子冯文军绰号“孬子”因酒后开车，撞伤人后驾车逃逸，被判刑入狱。几年后改过自新的孬子成为省监狱电声乐队队长兼主唱，因立功被减刑释放。出狱时，女监狱长陆侠将他弹过的吉他送给他，嘱咐他要“唱好歌，做好人，走正路”，他发誓：“不管多难，绝不回头！站直身子做个好人！

作为带酷儿元素的唯一一部剧集，《不良行为》由公开出柜华裔女导演Corrie Chen操刀，以4集迷你剧的形式讲述悉尼一所寄宿女校的达尔文生态圈。这些女孩之间有真诚的感情，有暧昧的欲望萌芽，也有等级分明的排挤和霸凌。本剧有望成为澳洲版的《Skins》。

Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.

抢夺哨兵冲锋枪的匪徒销声匿迹，重案八年未破，老警察周国兴退休前才有了破案线索。这是没前科没案底，活跃在百姓身边的高智商犯罪团伙。匪首不动声色银行卧底，并成功抢劫运钞车。周国兴识破诡计，将其绳之以法。

《今天也要拯救武林》是由海宁博玺影业有限公司申报的古代传奇网络微短剧。