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戒指流浪记
台湾国语2020
关于幸福与真爱的故事,往往都从离别开始。这一次的离别,出现在《戒指流浪记》中。  本剧根据台湾作家赖以威小说《Ring of the Day》改编,故事以捷运为背景,讲述凡事讲求周全的保险精算师黄奕之计划同交往五年的女友李丽莎共组家庭。  黄奕之是取得了北美精算师协会认证的精算师,台湾省获得这一认证的人可谓凤毛麟角。精算师对自己的专业很投入,思考过程也与一般人不同。  求婚之日,黄奕之搭捷运途中遗失了钻戒,寻找戒指的过程发生一连串荒谬趣事。  而这只戒指流浪在七个陌生人之间,串起七个浪漫的都市爱情传说,最终寻回失物,也觅得爱的真谛······  这终将是一个圆满的故事。  本剧以单元故事的方式为观众呈现捷运路上的七段浪漫旅程:  有在婚姻高墙外徘徊犹豫,不确定要不要结婚的白领男与空姐;也有退休老人说不出口的含蓄爱情。  既让观众担心总是失败的小胖子,有没有勇气承担爱情?也有调皮刁钻的小男孩成全单亲妈妈爱情的意外之喜;  此外还有昆虫系大学生如何在流氓父亲的帮助下拯救自己的女神;充满星梦的小模特从纸醉金迷的花花世界逃离,终于体认平淡的幸福;  最后感情专家与她貌合神离的丈夫又让戒指再次回到了原点。

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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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